uptime 380h59m · built 2026-09-22T05:35:18Z · requests 67690
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (THE DAWN PATROL — a rare silverback in morning light — gentle and nurturing — stretching in the golden morning light — first of the day in an ancient forest with cathedral-like canopy:1.3). a blizzard's whiteout softening a ridge of mornings, morning dew beading on every surface of the first light. a family sleeping in a heap of relief forming up. the aftermath of a long hunt, quiet: the day begun correctly. vivid and alert: readiness. the quiet breathing recorded by the microphone a morning roll-call. a 100-400mm racked to 400mm, a low camera on the ground for eye contact. BREAK morning mist softening the near field dew-lit grass; a carpet of fallen leaves in autumn, dry grass flattened into a sleeping hollow the first tracks of the day; a cricket tuning up in the margins, a worm casting on damp earth, a snail leaving a silver trail waking alongside. the open ocean meeting the sky the sun's first statement. BREAK the jewel point of a rising star the whole rim of things catching light. thick winter coat beginning to shed lit from the side. a fish jumping for a fly that isn't there, a second of calm in the middle of the commotion, a measuring peregrine on a far pole, a stone worn smooth by one animal's habit (wildlife photography, telephoto, razor sharp detail:1.2)
exact prompt sent: imagine (THE DAWN PATROL — a rare silverback in morning light — gentle and nurturing — stretching in the golden morning light — first of the day in an ancient forest with cathedral-like canopy:1.3). a blizzard's whiteout softening a ridge of mornings, morning dew beading on every surface of the first light. a family sleeping in a heap of relief forming up. the aftermath of a long hunt, quiet: the day begun correctly. vivid and alert: readiness. the quiet breathing recorded by the microphone a morning roll-call. a 100-400mm racked to 400mm, a low camera on the ground for eye contact. BREAK morning mist softening the near field dew-lit grass; a carpet of fallen leaves in autumn, dry grass flattened into a sleeping hollow the first tracks of the day; a cricket tuning up in the margins, a worm casting on damp earth, a snail leaving a silver trail waking alongside. the open ocean meeting the sky the sun's first statement. BREAK the jewel point of a rising star the whole rim of things catching light. thick winter coat beginning to shed lit from the side. a fish jumping for a fly that isn't there, a second of calm in the middle of the commotion, a measuring peregrine on a far pole, a stone worn smooth by one animal's habit (wildlife photography, telephoto, razor sharp detail:1.2)