ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
Job p1789250386-48complete
prompt: (The campaign, cinematic:1.2) a runway walker three shows deep in a day — in a shirt with an exaggerated cuff — pausing half a second before the turn at a train station platform in fog as the light breaks. cool and untouchable dramatic and editorial. (Campaign imagery, cinematic and wide, subject small in a large world). a 35mm at f/2.8 for the full look, full-length with the feet included. BREAK a curtain edge slicing the frame of the environment's real texture; water on the pavement reflecting flash, a concrete floor with painted bays beneath; a pug carried in a tote, a makeup artist with three brushes, a dresser sewing a hook at speed incidental. a runway receding to a lit doorway a vast set or landscape. a size tag still tucked inside, a model's own watch left on, a look number written on a hand, a garment so new it creases, a call sheet taped to a wall BREAK wet pavement shining back the strobe, beading catching the key light, a patent shoe throwing a highlight, a glass of champagne glinting the garment one bright thing. (fashion campaign, cinematic, dramatic, editorial:1.2) acid green, cream and chrome.
exact prompt sent: imagine (The campaign, cinematic:1.2) a runway walker three shows deep in a day — in a shirt with an exaggerated cuff — pausing half a second before the turn at a train station platform in fog as the light breaks. cool and untouchable dramatic and editorial. (Campaign imagery, cinematic and wide, subject small in a large world). a 35mm at f/2.8 for the full look, full-length with the feet included. BREAK a curtain edge slicing the frame of the environment's real texture; water on the pavement reflecting flash, a concrete floor with painted bays beneath; a pug carried in a tote, a makeup artist with three brushes, a dresser sewing a hook at speed incidental. a runway receding to a lit doorway a vast set or landscape. a size tag still tucked inside, a model's own watch left on, a look number written on a hand, a garment so new it creases, a call sheet taped to a wall BREAK wet pavement shining back the strobe, beading catching the key light, a patent shoe throwing a highlight, a glass of champagne glinting the garment one bright thing. (fashion campaign, cinematic, dramatic, editorial:1.2) acid green, cream and chrome.
