uptime 381h48m · built 2026-09-22T05:35:18Z · requests 68441
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (the whisper of tiny paws on wood — that is the first thing:1.3). Then A windowsill jungle of houseplants patrolled by curious little mice, a flotilla of ducklings leaving a V of ripples with coats wet and sleek after a dunk in the birdbath — sleepy faces squinting into the light, sleepy half-lidded eyes barely staying open in light amber like new honey. Their eyes are the kind that make you put down the camera They are polishing the floor with their paws, with a leaf umbrella held up against a light drizzle, with the authority of centuries. standing tiptoe against the skirting board and then, the crowd leaning, swaying, always in motion. soft studio-soft daylight, gentle as tissue paper a flicker of pure mischief in their eyes over tiny paws no bigger than a fingernail. a shaft of light that seems to follow the crowd as it moves a book-lined study with rug islands of sun, golden hour pouring honey through the windows, a sun shower passing in sparkles; a few petals drifting down from the windowsill hay bales stacked like a tiny skyline The mood is overflowing with innocent wonder; the air is an eager, hopeful expectancy for the next seed. Every colour is cool blues of morning light over warm fur. Shot as a rhythmic row of heads bobbing along a sunbeam — a top-down 40mm from directly overhead, 35mm f/2 for the whole-scene stories, mid-focus with foreground whiskers and background barn, individual hairs catching rim light, the distance across one cushion as a grand migration. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Micro-detail: they re-arrange themselves whenever anyone looks away, a chorus of tiny sneezes ripples through the crowd and the very stillest moment before the mob moves at reading distance; a ladybug landing on the smallest one's back, dandelion fluff drifting like slow snow, breadcrumbs drawing a map to the pantry behind.
exact prompt sent: imagine (the whisper of tiny paws on wood — that is the first thing:1.3). Then A windowsill jungle of houseplants patrolled by curious little mice, a flotilla of ducklings leaving a V of ripples with coats wet and sleek after a dunk in the birdbath — sleepy faces squinting into the light, sleepy half-lidded eyes barely staying open in light amber like new honey. Their eyes are the kind that make you put down the camera They are polishing the floor with their paws, with a leaf umbrella held up against a light drizzle, with the authority of centuries. standing tiptoe against the skirting board and then, the crowd leaning, swaying, always in motion. soft studio-soft daylight, gentle as tissue paper a flicker of pure mischief in their eyes over tiny paws no bigger than a fingernail. a shaft of light that seems to follow the crowd as it moves a book-lined study with rug islands of sun, golden hour pouring honey through the windows, a sun shower passing in sparkles; a few petals drifting down from the windowsill hay bales stacked like a tiny skyline The mood is overflowing with innocent wonder; the air is an eager, hopeful expectancy for the next seed. Every colour is cool blues of morning light over warm fur. Shot as a rhythmic row of heads bobbing along a sunbeam — a top-down 40mm from directly overhead, 35mm f/2 for the whole-scene stories, mid-focus with foreground whiskers and background barn, individual hairs catching rim light, the distance across one cushion as a grand migration. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Micro-detail: they re-arrange themselves whenever anyone looks away, a chorus of tiny sneezes ripples through the crowd and the very stillest moment before the mob moves at reading distance; a ladybug landing on the smallest one's back, dandelion fluff drifting like slow snow, breadcrumbs drawing a map to the pantry behind.