uptime 382h43m · built 2026-09-22T05:35:18Z · requests 69220
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE FAIR — (the table of a year's work:1.3) a crocheted snail with a spiral shell — tatted in fine lace chains — a quilt's thickness from three warm laters, arrayed for sale at a grandmother's parlor with doily shelves. patient as winter of quiet pride, the even light of a craft-fair tent tent-diffused. (Stall shot down the length of the table, tags in a row, colors planned). a 90mm at f/4 with window light, the yarn ball filling one corner. BREAK a stray strand of yarn across the frame the price tags; the felted pad of a work surface, a hardwood floor with yarn fuzz the trestle table; a spider's web on the yarn basket, a beetle crossing the pattern page, a moth with no idea how lucky it is the child with a coin. a rocking chair with a half-moon mat the striped awning. BREAK the lanolin glow of raw fleece, the shine of well-used wooden needles, a glass bead catching light on a felt eye across the whole inventory. a spare button sewn to the inside hem, a stain that became a design, a finished gift waiting for the right day, two colors that only meet once
exact prompt sent: imagine THE FAIR — (the table of a year's work:1.3) a crocheted snail with a spiral shell — tatted in fine lace chains — a quilt's thickness from three warm laters, arrayed for sale at a grandmother's parlor with doily shelves. patient as winter of quiet pride, the even light of a craft-fair tent tent-diffused. (Stall shot down the length of the table, tags in a row, colors planned). a 90mm at f/4 with window light, the yarn ball filling one corner. BREAK a stray strand of yarn across the frame the price tags; the felted pad of a work surface, a hardwood floor with yarn fuzz the trestle table; a spider's web on the yarn basket, a beetle crossing the pattern page, a moth with no idea how lucky it is the child with a coin. a rocking chair with a half-moon mat the striped awning. BREAK the lanolin glow of raw fleece, the shine of well-used wooden needles, a glass bead catching light on a felt eye across the whole inventory. a spare button sewn to the inside hem, a stain that became a design, a finished gift waiting for the right day, two colors that only meet once