uptime 381h48m · built 2026-09-22T05:35:18Z · requests 68416
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (The camera pushes in until the world is only fur: hind legs built for heroic jumps, downy fluff with dust motes suspended in it:1.3). a shimmer of dandelion light. A porch swing covered in a sprawl of sleepy puppies and kittens, barely in frame, a cloud of house sparrows rising in a burst with fur tufted into sleepy bed-head spikes; noses pressed into each other's fur, eyes bright as new pennies in hazel with gold flecks — Every pair of eyes tracks a single crumb as it slides across the floor They are napping in the exact center of the warm spot, with a piece of popcorn bigger than their head, between two rounds of dramatic falling over. napping in a single warm heap that breathes as one and then, the crowd leaning, swaying, always in motion. a chorus of approving whistles from the sparrows. backlit fur glowing at every edge a veranda with a colony of potted ferns — a warm evening with the last bees going home, high noon with shadows folded beneath everyone. a leaf skittering across the doorstep sunbeams breaking through the leaves in slow columns an open pantry door spilling warm light The mood is patient, waiting for the next warm moment; the air is the golden hush of late-summer light. Palette: butter yellows, cream and a single black spot. Shot as a ring of tiny animals around a central treasure — a top-down 40mm from directly overhead, 50mm f/1.8 wide open, creamy backgrounds, everything readable, nothing urgent, a single thumb-sized head filling the frame. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Texture and atmosphere: a single yawn sets off eight more, a soft current of air stirred by small bodies, the merest ripple of activity in the warm patch; the air thick with the scent of cut grass and honeysuckle and a warm pocket of steam rising off the kettle, a pencil rolled to the very edge of the desk filling the frame's edges.
exact prompt sent: imagine (The camera pushes in until the world is only fur: hind legs built for heroic jumps, downy fluff with dust motes suspended in it:1.3). a shimmer of dandelion light. A porch swing covered in a sprawl of sleepy puppies and kittens, barely in frame, a cloud of house sparrows rising in a burst with fur tufted into sleepy bed-head spikes; noses pressed into each other's fur, eyes bright as new pennies in hazel with gold flecks — Every pair of eyes tracks a single crumb as it slides across the floor They are napping in the exact center of the warm spot, with a piece of popcorn bigger than their head, between two rounds of dramatic falling over. napping in a single warm heap that breathes as one and then, the crowd leaning, swaying, always in motion. a chorus of approving whistles from the sparrows. backlit fur glowing at every edge a veranda with a colony of potted ferns — a warm evening with the last bees going home, high noon with shadows folded beneath everyone. a leaf skittering across the doorstep sunbeams breaking through the leaves in slow columns an open pantry door spilling warm light The mood is patient, waiting for the next warm moment; the air is the golden hush of late-summer light. Palette: butter yellows, cream and a single black spot. Shot as a ring of tiny animals around a central treasure — a top-down 40mm from directly overhead, 50mm f/1.8 wide open, creamy backgrounds, everything readable, nothing urgent, a single thumb-sized head filling the frame. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Texture and atmosphere: a single yawn sets off eight more, a soft current of air stirred by small bodies, the merest ripple of activity in the warm patch; the air thick with the scent of cut grass and honeysuckle and a warm pocket of steam rising off the kettle, a pencil rolled to the very edge of the desk filling the frame's edges.