uptime 381h50m · built 2026-09-22T05:35:18Z · requests 68611
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (cute consistent cartoon vegetable character designs, the same seven characters in every picture with the same faces, same colors and same tiny arms and legs, soft rounded 3D storybook style:1.2), Snow falls on the harvest festival square and (Piper Pea, a tiny round bright-green pea with enormous round eyes and an oversized pea-green bow tie:1.3), and (Tommy Tomato, a round glossy red tomato with a friendly face, a green leafy sprout on top, and two stubby little arms and two little legs:1.3), and (Cob, a golden corn cob with neat rows of yellow kernels, dark brown kernel eyes, and a sunflower-yellow harmonica he always carries:1.3) build a whole little village from snow, seeds and kitchen scraps. light drizzle warm greenhouse glow floating pollen lanterns huddled around the map. with Carl, Cassie, Bella and Pete hopping around the village. tender, whimsical. chalk pastel in garden greens with tomato reds and sunflower golds. a 50mm at f/2.8 for the character portrait, framing through kitchen props. BREAK fireflies waking one by one in the dusk, specks of golden dust hanging in the sunbeams and wet rubber boots with a peel of dried mud, paper-thin porcelain lit from within; a square of sky light laid precisely on the table, gloom deepening toward the edges like a vignette fills the frame. In the background, the climbing-plant wall of a greenhouse fading into haze, a curtain of drying herbs hanging from the rafters; up close, a knitted sock stretched like a tunnel in the foreground, a tall blade of grass curving into the bottom-left corner. Underfoot, a doormat woven from old denim, a lake of spilled milk slowly finding its own level — alive with fireflies orbiting the jam jar in a lazy loop, a butterfly tasting the scarf with its feet, a bee vacuuming up every last bit of honey and a stack of postage stamps used as wallpaper, a feather quill almost as tall as them, a thread of yarn strung like a tightrope, a keyring hanging on a twig hook. a single grape like a boulder in the lane sets the scale. a pea-sized top hat
exact prompt sent: imagine (cute consistent cartoon vegetable character designs, the same seven characters in every picture with the same faces, same colors and same tiny arms and legs, soft rounded 3D storybook style:1.2), Snow falls on the harvest festival square and (Piper Pea, a tiny round bright-green pea with enormous round eyes and an oversized pea-green bow tie:1.3), and (Tommy Tomato, a round glossy red tomato with a friendly face, a green leafy sprout on top, and two stubby little arms and two little legs:1.3), and (Cob, a golden corn cob with neat rows of yellow kernels, dark brown kernel eyes, and a sunflower-yellow harmonica he always carries:1.3) build a whole little village from snow, seeds and kitchen scraps. light drizzle warm greenhouse glow floating pollen lanterns huddled around the map. with Carl, Cassie, Bella and Pete hopping around the village. tender, whimsical. chalk pastel in garden greens with tomato reds and sunflower golds. a 50mm at f/2.8 for the character portrait, framing through kitchen props. BREAK fireflies waking one by one in the dusk, specks of golden dust hanging in the sunbeams and wet rubber boots with a peel of dried mud, paper-thin porcelain lit from within; a square of sky light laid precisely on the table, gloom deepening toward the edges like a vignette fills the frame. In the background, the climbing-plant wall of a greenhouse fading into haze, a curtain of drying herbs hanging from the rafters; up close, a knitted sock stretched like a tunnel in the foreground, a tall blade of grass curving into the bottom-left corner. Underfoot, a doormat woven from old denim, a lake of spilled milk slowly finding its own level — alive with fireflies orbiting the jam jar in a lazy loop, a butterfly tasting the scarf with its feet, a bee vacuuming up every last bit of honey and a stack of postage stamps used as wallpaper, a feather quill almost as tall as them, a thread of yarn strung like a tightrope, a keyring hanging on a twig hook. a single grape like a boulder in the lane sets the scale. a pea-sized top hat