ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
Job p1789250386-211complete
prompt: (The street, before anything happens:1.3) a cattle drover at the back of the herd — in a gun belt worn soft at the holster — breaking a horse in the ring on a mine headframe on a bare hill as the town holds its breath. hail hammering the tin roof glaring; quietly violent tense before gunfire. (Western film still, long lens, heat shimmer, anamorphic). a 200mm for the herd across the plain, negative space left as hot blank sky. BREAK dust kicked up in the near plane of kicked dust; horse tracks crossing boot tracks, coal dust in the yard underfoot; a mule refusing to move, a cat on the saloon counter, horses switching at flies gone quiet. the canyon walls closing the view the false fronts in a line. a rope hanging loose from a beam, a handbill for a show already left, a fence mended four times, a child's shoe on the step BREAK the glint of a coin in the dirt, embers rising from a campfire, sun glinting off a gun barrel gunmetal. (western standoff, tense, cinematic:1.2) dusty spaghetti-western framing, long lens.
exact prompt sent: imagine (The street, before anything happens:1.3) a cattle drover at the back of the herd — in a gun belt worn soft at the holster — breaking a horse in the ring on a mine headframe on a bare hill as the town holds its breath. hail hammering the tin roof glaring; quietly violent tense before gunfire. (Western film still, long lens, heat shimmer, anamorphic). a 200mm for the herd across the plain, negative space left as hot blank sky. BREAK dust kicked up in the near plane of kicked dust; horse tracks crossing boot tracks, coal dust in the yard underfoot; a mule refusing to move, a cat on the saloon counter, horses switching at flies gone quiet. the canyon walls closing the view the false fronts in a line. a rope hanging loose from a beam, a handbill for a show already left, a fence mended four times, a child's shoe on the step BREAK the glint of a coin in the dirt, embers rising from a campfire, sun glinting off a gun barrel gunmetal. (western standoff, tense, cinematic:1.2) dusty spaghetti-western framing, long lens.
