uptime 382h42m · built 2026-09-22T05:35:18Z · requests 69201
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (The portrait equivalent of a deep breath:1.2) — a tailor threading a needle in perfect light — the openness of someone telling the truth — standing at the edge of a crowd at a stairwell landing with a window. a raincoat with a broken toggel, the warm brown of late afternoon, the delicate texture of skin around the eyes, a hand half-raised in mid-explanation, dramatic Rembrandt lighting with a single key light, 35mm environmental portrait, the razor plane of focus at the exact plane of the face. bright and open, a picture that feels like a memory, the long shadows of four in the afternoon. The camera sees what words cannot, and what it sees is the calm after something hard has been survived. an 85mm f/1.4 wide open, tight framing just below the collarbone. BREAK the soft blur of someone else's shoulder and the texture of a brick wall behind, the detail of a hand's lines and calluses, intimate details in the pattern of veins on a hand, a single strand of hair out of place, the soft down of hair on the cheek. a window showing a rain-streaked street softens. a lens cap looped around a strap, a freckle that looks like a star, a collar tag flipped out are the pauses. BREAK the sparkle of light on water in the background, sunlight catching floating dust particles drifts. (Photoreal, natural, no skin smoothing, (eyes alive:1.3), graded monochrome with one warm accent held (skin detail:1.2))
exact prompt sent: imagine (The portrait equivalent of a deep breath:1.2) — a tailor threading a needle in perfect light — the openness of someone telling the truth — standing at the edge of a crowd at a stairwell landing with a window. a raincoat with a broken toggel, the warm brown of late afternoon, the delicate texture of skin around the eyes, a hand half-raised in mid-explanation, dramatic Rembrandt lighting with a single key light, 35mm environmental portrait, the razor plane of focus at the exact plane of the face. bright and open, a picture that feels like a memory, the long shadows of four in the afternoon. The camera sees what words cannot, and what it sees is the calm after something hard has been survived. an 85mm f/1.4 wide open, tight framing just below the collarbone. BREAK the soft blur of someone else's shoulder and the texture of a brick wall behind, the detail of a hand's lines and calluses, intimate details in the pattern of veins on a hand, a single strand of hair out of place, the soft down of hair on the cheek. a window showing a rain-streaked street softens. a lens cap looped around a strap, a freckle that looks like a star, a collar tag flipped out are the pauses. BREAK the sparkle of light on water in the background, sunlight catching floating dust particles drifts. (Photoreal, natural, no skin smoothing, (eyes alive:1.3), graded monochrome with one warm accent held (skin detail:1.2))