uptime 382h43m · built 2026-09-22T05:35:18Z · requests 69207
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (Water everywhere: A greenhouse bench where a family of bunnies hops through the watering cans, a menagerie of every tiny creature in the yard, all together at once with coats wet and sleek after a dunk in the birdbath:1.3). sleepy faces squinting into the light, eyes bright as new pennies in deep espresso brown — Their eyes glow softly in the low light, all at once They are collecting fluff for the winter palace, with a quarter of a strawberry carried like a shield, with a trail of fluff following behind. marching single-file to wherever the leader pretends to know and then, tails flicking like metronomes. a chorus of approving whistles from the sparrows. a single shaft of sun spotlighting the whole crowd window frost drawing fern gardens. shadows of leaves rippling across the wall a dragonfly hovering like a tiny helicopter a pantry of jars and ticklish paper bags, a soft rain that smells of wet earth and thyme, blue hour with the garden going violet. The mood is dreamy, drifting in the warm light; the air is a hush of concentration as everyone stalks a crumb. Palette: the full warm palette of a sunlit barn, graded as a wide field of gentle chaos, every corner occupied — a low 28mm from inside the crowd's world, 24mm f/2.8 wide and immersive, selective sharpness tracing the exact line of the sunbeam, individual hairs catching rim light, the scale of one crumb, fully negotiated. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Layered depth: foreground a single yawn sets off eight more, they re-arrange themselves whenever anyone looks away; midground a whisker of motion at the far edge and seeds arranged in a perfect little line, breadcrumbs drawing a map to the pantry; a moth circling the lamp like a tiny moon resolving in the far plane.
exact prompt sent: imagine (Water everywhere: A greenhouse bench where a family of bunnies hops through the watering cans, a menagerie of every tiny creature in the yard, all together at once with coats wet and sleek after a dunk in the birdbath:1.3). sleepy faces squinting into the light, eyes bright as new pennies in deep espresso brown — Their eyes glow softly in the low light, all at once They are collecting fluff for the winter palace, with a quarter of a strawberry carried like a shield, with a trail of fluff following behind. marching single-file to wherever the leader pretends to know and then, tails flicking like metronomes. a chorus of approving whistles from the sparrows. a single shaft of sun spotlighting the whole crowd window frost drawing fern gardens. shadows of leaves rippling across the wall a dragonfly hovering like a tiny helicopter a pantry of jars and ticklish paper bags, a soft rain that smells of wet earth and thyme, blue hour with the garden going violet. The mood is dreamy, drifting in the warm light; the air is a hush of concentration as everyone stalks a crumb. Palette: the full warm palette of a sunlit barn, graded as a wide field of gentle chaos, every corner occupied — a low 28mm from inside the crowd's world, 24mm f/2.8 wide and immersive, selective sharpness tracing the exact line of the sunbeam, individual hairs catching rim light, the scale of one crumb, fully negotiated. (adorable animals, cozy warm light, ultra detailed:1.2) BREAK Layered depth: foreground a single yawn sets off eight more, they re-arrange themselves whenever anyone looks away; midground a whisker of motion at the far edge and seeds arranged in a perfect little line, breadcrumbs drawing a map to the pantry; a moth circling the lamp like a tiny moon resolving in the far plane.