uptime 381h49m · built 2026-09-22T05:35:18Z · requests 68587
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE FARE — (a journey ending in a face:1.3) a teenager with a quiet intensity in their gaze — the peace of a decision finally made — at a café table with two cups, the journey ending. a barista's apron with a pen behind the ear travel-worn, eyes wide with the wonder of a child of arrival, a birthmark someone has learned to love of the miles. harsh midday sun softened by a reflector of a new place. tender and unguarded: arrival. a person at home in their own skin of the next chapter starting. (Photoreal, arrival light, travel-worn but open:1.2). a 135mm compressed portrait lens, hands included to give scale and gesture, graded golden-hour graded with amber lift. BREAK a hand reaching toward the camera a suitcase handle; the pattern of tiles on the floor, the detail of a hand's lines and calluses an unfamiliar floor; the tiny detail of an earring, the soft down of hair on the cheek, the slight sheen of perspiration the new city's small life. a crowd of people reduced to moving shapes the station behind. BREAK the glow of backlit hair edges of arrival. a hand resting on a cheek looking up. a pair of glasses folded on a book, a lens cap looped around a strap, a cup painted with a child's name, the exact shade of a perfect day in a fabric
exact prompt sent: imagine THE FARE — (a journey ending in a face:1.3) a teenager with a quiet intensity in their gaze — the peace of a decision finally made — at a café table with two cups, the journey ending. a barista's apron with a pen behind the ear travel-worn, eyes wide with the wonder of a child of arrival, a birthmark someone has learned to love of the miles. harsh midday sun softened by a reflector of a new place. tender and unguarded: arrival. a person at home in their own skin of the next chapter starting. (Photoreal, arrival light, travel-worn but open:1.2). a 135mm compressed portrait lens, hands included to give scale and gesture, graded golden-hour graded with amber lift. BREAK a hand reaching toward the camera a suitcase handle; the pattern of tiles on the floor, the detail of a hand's lines and calluses an unfamiliar floor; the tiny detail of an earring, the soft down of hair on the cheek, the slight sheen of perspiration the new city's small life. a crowd of people reduced to moving shapes the station behind. BREAK the glow of backlit hair edges of arrival. a hand resting on a cheek looking up. a pair of glasses folded on a book, a lens cap looped around a strap, a cup painted with a child's name, the exact shade of a perfect day in a fabric