uptime 382h44m · built 2026-09-22T05:35:18Z · requests 69257
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: (No retouching, no pretense:1.3) — a raw honest portrait of a diver removing fins on a sunlit dock — a startled wide-eyed look of wonder — standing on a rooftop at twilight at a dim rehearsal hall with one light. a linen blouse with natural texture, a gaze that meets yours and holds, the softness of skin that has known kindness, a thumb worried at a button, the cool glow of a computer screen on a face, 45mm tilt-shift for miniature effect, one sharp eye, the rest dissolving into dream. tender and unguarded, a human being, completely present, the silver of rain about to fall. Just a human being fully present, because a portrait that makes you wonder about their whole life. a 135mm compressed portrait lens, a low angle giving the jaw authority, graded warm skin-toned grade with clean neutrals. BREAK a window frame partially obscuring the view and the texture of a brick wall behind, the weave of a knitted scarf, with the subtle catch-light reflected in the eyes, the flutter of an eyelash, the slight sheen of perspiration. the dim interior of a workshop context. a lip balm on the table, mid-morning, a ticket stub tucked in a hatband, a lens cap looped around a strap are the honesty. BREAK the sparkle of a catch-light in the eyes, the sparkle of a happy tear catch the light. The beauty is in the truth, (unfiltered skin, real pores:1.2). (Photoreal, ungraded, one window light)
exact prompt sent: imagine (No retouching, no pretense:1.3) — a raw honest portrait of a diver removing fins on a sunlit dock — a startled wide-eyed look of wonder — standing on a rooftop at twilight at a dim rehearsal hall with one light. a linen blouse with natural texture, a gaze that meets yours and holds, the softness of skin that has known kindness, a thumb worried at a button, the cool glow of a computer screen on a face, 45mm tilt-shift for miniature effect, one sharp eye, the rest dissolving into dream. tender and unguarded, a human being, completely present, the silver of rain about to fall. Just a human being fully present, because a portrait that makes you wonder about their whole life. a 135mm compressed portrait lens, a low angle giving the jaw authority, graded warm skin-toned grade with clean neutrals. BREAK a window frame partially obscuring the view and the texture of a brick wall behind, the weave of a knitted scarf, with the subtle catch-light reflected in the eyes, the flutter of an eyelash, the slight sheen of perspiration. the dim interior of a workshop context. a lip balm on the table, mid-morning, a ticket stub tucked in a hatband, a lens cap looped around a strap are the honesty. BREAK the sparkle of a catch-light in the eyes, the sparkle of a happy tear catch the light. The beauty is in the truth, (unfiltered skin, real pores:1.2). (Photoreal, ungraded, one window light)