uptime 381h48m · built 2026-09-22T05:35:18Z · requests 68493
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE QUIET EVENING — (the day folded into the night:1.2) a milkmaid with a copper pail — in a linen smock with pockets for everything, a photograph of a dog long loved — reading an almanac by the window as the light leaves an orchard mid-blossom. a soft overcast that flatters the garden settled; wistful over a remembered June of the finished day; the fire's kindly flicker on a wool rug the lamp's last say. (The blue fire of an evening, everything slowing to the fire's pace). an 85mm at f/1.8 for the close portrait, shelves stacked to the frame's top. BREAK a foxglove's patient congregation of the extinguished school of daylight; flagstones cushioned by camomile, the soft mud of the morning milking of the settled house; a bee buying its weight in clover, sparrows in conference on the gutter, a thrush, bold and unashamed of the night-shift moth. the hill the lane threads around the first star's turn. BREAK the flash of a spoon caught mid-stir, the bead of a lit candle's wick, the glint of the kettle's copper the fire's last bloom. a rocking-chair's groove in the floor, a drawer of letters tied with twine, a tin of biscuits kept for the vicar, a breadboard worn to a shallow dish, a garden fork left upright for luck
exact prompt sent: imagine THE QUIET EVENING — (the day folded into the night:1.2) a milkmaid with a copper pail — in a linen smock with pockets for everything, a photograph of a dog long loved — reading an almanac by the window as the light leaves an orchard mid-blossom. a soft overcast that flatters the garden settled; wistful over a remembered June of the finished day; the fire's kindly flicker on a wool rug the lamp's last say. (The blue fire of an evening, everything slowing to the fire's pace). an 85mm at f/1.8 for the close portrait, shelves stacked to the frame's top. BREAK a foxglove's patient congregation of the extinguished school of daylight; flagstones cushioned by camomile, the soft mud of the morning milking of the settled house; a bee buying its weight in clover, sparrows in conference on the gutter, a thrush, bold and unashamed of the night-shift moth. the hill the lane threads around the first star's turn. BREAK the flash of a spoon caught mid-stir, the bead of a lit candle's wick, the glint of the kettle's copper the fire's last bloom. a rocking-chair's groove in the floor, a drawer of letters tied with twine, a tin of biscuits kept for the vicar, a breadboard worn to a shallow dish, a garden fork left upright for luck