uptime 381h47m · built 2026-09-22T05:35:18Z · requests 68390
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE FERRY — (crossing to the neighbors:1.3) a transit engineer on a tram through a canopy — in a hand-knit cardigan over a repair apron — pilots the solar ferry across a converted car park turned market, a kinetic paving tile that lights the path humming underfoot. the long blue of a coastal evening of an estuary; a sky the color of new leaves of tides; quietly industrious of the commute that is a pleasure. (Deck-level shot, water at the rail, the skyline growing). a tilt-shift for the cooperative rooftop, lines drawn by the tram rails. BREAK a basket of just-picked beans the rail and rope; wooden decking, silvered by sun, herringbone brick with planted gaps the wet decking; a beetle crossing a watering can, bees moving through the vertical farm, sparrows bathing in the runoff the harbor birds. wind towers on the ridge, turning both shores. BREAK solar film catching the late sun, condensation jewels on a night-rack, light splitting through a grow-room pane the sun on the water. a jar of saved bottle caps by the kiln, a bell for the community hall, rung twice, a seed packet in a wall pocket, a note pinned to the tree: WATER ME
exact prompt sent: imagine THE FERRY — (crossing to the neighbors:1.3) a transit engineer on a tram through a canopy — in a hand-knit cardigan over a repair apron — pilots the solar ferry across a converted car park turned market, a kinetic paving tile that lights the path humming underfoot. the long blue of a coastal evening of an estuary; a sky the color of new leaves of tides; quietly industrious of the commute that is a pleasure. (Deck-level shot, water at the rail, the skyline growing). a tilt-shift for the cooperative rooftop, lines drawn by the tram rails. BREAK a basket of just-picked beans the rail and rope; wooden decking, silvered by sun, herringbone brick with planted gaps the wet decking; a beetle crossing a watering can, bees moving through the vertical farm, sparrows bathing in the runoff the harbor birds. wind towers on the ridge, turning both shores. BREAK solar film catching the late sun, condensation jewels on a night-rack, light splitting through a grow-room pane the sun on the water. a jar of saved bottle caps by the kiln, a bell for the community hall, rung twice, a seed packet in a wall pocket, a note pinned to the tree: WATER ME