uptime 381h48m · built 2026-09-22T05:35:18Z · requests 68418
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: a Y2K dreamscape of chrome, dial-up screens and pixel stars swallows the whole show: A member practicing her signature wink in the dressing-room mirror, a sparkling bodysuit under a sheer cover-up with royal-court hanbok fusion in silk and gold thread and a beaded waist chain visible on a crop top, stepping through a broadcast set where the floor is one giant mirror as a glass piano that melts into light on the last note blooms. The the hidden-camera reveal exploding at the encore sharpens when She drops into a deep backbend before the beat hits. meets leaning on a light stick like a cane; a single spotlight that follows her every step echoes under gobo patterns of stars scrolling across the floor. the keyboardist of their debut single taking the solo joins for the R&B slow jam in a smoky blue spotlight; the pressure of a comeback dissolving into relief at the encore colors the ment. a projector light show mapping across the whole crowd and a girl in the crowd holding a dozen posters above her head fill the edges. Palette pastel pink and soft white — sweet concept, mood vulnerable in a bare, makeupless behind-scene. Shot as a full-stage wide shot with the crowd as texture — a 50mm neutral observer, shallow enough that a stray hair strand goes soft, second-curtain flash trailing the sequins like a comet tail with frame-within-frame through a camera rig or monitor; keyed side-light from the LED wall giving a split-lighting look; drone rising from the pit up through the light rigs, caught the frame her shoulder turns to face the side camera; graded graded for gayo glamour — neon punch, crushed blacks.. BREAK Detail: a picnic basket prop for a spring stage, a winged chair flanked by light rigs, velvet absorbing the warm key light, sequins rolling across the surface as she moves and a heel striking the stage, dust puffs, a two-frame ghost of the foot stomp; a halo rim around her silhouette in the fog, chase lights pulsing on the count with a a lone figure at the edge of the stage edge glow; glitter drifting off her hand as she waves and the eyebrows lifting slightly on the fan chant moment.
exact prompt sent: imagine a Y2K dreamscape of chrome, dial-up screens and pixel stars swallows the whole show: A member practicing her signature wink in the dressing-room mirror, a sparkling bodysuit under a sheer cover-up with royal-court hanbok fusion in silk and gold thread and a beaded waist chain visible on a crop top, stepping through a broadcast set where the floor is one giant mirror as a glass piano that melts into light on the last note blooms. The the hidden-camera reveal exploding at the encore sharpens when She drops into a deep backbend before the beat hits. meets leaning on a light stick like a cane; a single spotlight that follows her every step echoes under gobo patterns of stars scrolling across the floor. the keyboardist of their debut single taking the solo joins for the R&B slow jam in a smoky blue spotlight; the pressure of a comeback dissolving into relief at the encore colors the ment. a projector light show mapping across the whole crowd and a girl in the crowd holding a dozen posters above her head fill the edges. Palette pastel pink and soft white — sweet concept, mood vulnerable in a bare, makeupless behind-scene. Shot as a full-stage wide shot with the crowd as texture — a 50mm neutral observer, shallow enough that a stray hair strand goes soft, second-curtain flash trailing the sequins like a comet tail with frame-within-frame through a camera rig or monitor; keyed side-light from the LED wall giving a split-lighting look; drone rising from the pit up through the light rigs, caught the frame her shoulder turns to face the side camera; graded graded for gayo glamour — neon punch, crushed blacks.. BREAK Detail: a picnic basket prop for a spring stage, a winged chair flanked by light rigs, velvet absorbing the warm key light, sequins rolling across the surface as she moves and a heel striking the stage, dust puffs, a two-frame ghost of the foot stomp; a halo rim around her silhouette in the fog, chase lights pulsing on the count with a a lone figure at the edge of the stage edge glow; glitter drifting off her hand as she waves and the eyebrows lifting slightly on the fan chant moment.