uptime 381h49m · built 2026-09-22T05:35:18Z · requests 68569
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: The deal was supposed to be clean. Instead, an android playing a street piano — a reflection that escaped its mirror — in a leather jacket with embedded LED strips with glowing neural interface ports at the temples, stands pinned in the rain at a rooftop shrine behind a ventilation stack, one mistake from the end of a rebellion flickering in the neon darkness. gold and obsidian bleeds across every surface; quiet in the spaces between advertisements closes in; the underbelly of a massive sky-platform shrugs. rain so fine it becomes static worsens. a flicker of hope behind hardened eyes betrays nothing. A a warning written in three dead languages flickers overhead like a warning the city keeps repeating. (Wide 24mm anamorphic, rain in the lens flare, cold-blue grade with hot pink accents) BREAK a discarded neural cable coiling like a snake and an arrow painted by a child pointing to home, the tread marks of a vehicle that was here, alive with a pigeon with a tracking chip on its leg, a bird building a nest from fiber cable, a moth with holographic wing patterns. In the distance, a bridge of light between two shattered towers. A a bicycle chained to a lamppost for years, a window box of synthetic daisies, a single glove caught on a fence is the clue everything turns on. a parking podcar idling at the curb watches. a bowl of broth with shrimp-shaped wafers steams unheard. BREAK the flicker of a dying hologram, the shimmer of an active force field slice through the rain. Every puddle is a mirror of lime and magenta. The city breathes, and a lullaby from a hijacked billboard swells like a held chord that decides your fate. (Rule of thirds, subject left-third, rain streaks across the key light, shallow focus on the face)
exact prompt sent: imagine The deal was supposed to be clean. Instead, an android playing a street piano — a reflection that escaped its mirror — in a leather jacket with embedded LED strips with glowing neural interface ports at the temples, stands pinned in the rain at a rooftop shrine behind a ventilation stack, one mistake from the end of a rebellion flickering in the neon darkness. gold and obsidian bleeds across every surface; quiet in the spaces between advertisements closes in; the underbelly of a massive sky-platform shrugs. rain so fine it becomes static worsens. a flicker of hope behind hardened eyes betrays nothing. A a warning written in three dead languages flickers overhead like a warning the city keeps repeating. (Wide 24mm anamorphic, rain in the lens flare, cold-blue grade with hot pink accents) BREAK a discarded neural cable coiling like a snake and an arrow painted by a child pointing to home, the tread marks of a vehicle that was here, alive with a pigeon with a tracking chip on its leg, a bird building a nest from fiber cable, a moth with holographic wing patterns. In the distance, a bridge of light between two shattered towers. A a bicycle chained to a lamppost for years, a window box of synthetic daisies, a single glove caught on a fence is the clue everything turns on. a parking podcar idling at the curb watches. a bowl of broth with shrimp-shaped wafers steams unheard. BREAK the flicker of a dying hologram, the shimmer of an active force field slice through the rain. Every puddle is a mirror of lime and magenta. The city breathes, and a lullaby from a hijacked billboard swells like a held chord that decides your fate. (Rule of thirds, subject left-third, rain streaks across the key light, shallow focus on the face)