uptime 381h47m · built 2026-09-22T05:35:18Z · requests 68380
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Waking slow, still half-tangled: A shelf of old books repurposed into a tiny town full of mouse residents, a gaggle of day-old chicks cheeping in a tight knot with fur tufted into sleepy bed-head spikes. pink noses wiggling with curiosity, eyes like shiny drops of espresso in light amber like new honey — The smallest one stares right down the lens, unblinking They are holding a staring contest with the cat, with a single pea rolled between two paws, between two rounds of dramatic falling over, among a cereal box door with a paper awning. piling onto the warmest patch in the room and then, fur rippling as the whole crowd shifts at once. firelight flicker warming one side of every face There is a glitter of dew on the smallest nose, and they are painfully cute before they are even awake, the plink of a seed dropped from a height. a hedgerow tunnel roofed with brambles, dusk, when every sound carries twice as far, a still summer heat with the world holding its breath; morning light puddling on the wood spider silk strung with dew and lit like pearls a wheelbarrow half-full of clippings The mood is dramatic, in the way of small creatures, the air thick with the busy joy of a full and thriving nest. Palette: milk-and-cookies tones with glossy dark accents. Shot as a triangle of sleeping bodies stacked like pillows — a phone-camera feel, casual and warm, 24mm f/2.8 wide and immersive, a soft fade from the front row to the horizon, hay speckles and seed dust on warm coats, paw-size creatures in a people-size room.
exact prompt sent: imagine Waking slow, still half-tangled: A shelf of old books repurposed into a tiny town full of mouse residents, a gaggle of day-old chicks cheeping in a tight knot with fur tufted into sleepy bed-head spikes. pink noses wiggling with curiosity, eyes like shiny drops of espresso in light amber like new honey — The smallest one stares right down the lens, unblinking They are holding a staring contest with the cat, with a single pea rolled between two paws, between two rounds of dramatic falling over, among a cereal box door with a paper awning. piling onto the warmest patch in the room and then, fur rippling as the whole crowd shifts at once. firelight flicker warming one side of every face There is a glitter of dew on the smallest nose, and they are painfully cute before they are even awake, the plink of a seed dropped from a height. a hedgerow tunnel roofed with brambles, dusk, when every sound carries twice as far, a still summer heat with the world holding its breath; morning light puddling on the wood spider silk strung with dew and lit like pearls a wheelbarrow half-full of clippings The mood is dramatic, in the way of small creatures, the air thick with the busy joy of a full and thriving nest. Palette: milk-and-cookies tones with glossy dark accents. Shot as a triangle of sleeping bodies stacked like pillows — a phone-camera feel, casual and warm, 24mm f/2.8 wide and immersive, a soft fade from the front row to the horizon, hay speckles and seed dust on warm coats, paw-size creatures in a people-size room.