uptime 382h41m · built 2026-09-22T05:35:18Z · requests 69146
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE BEDTIME — a dragon who wants to be a firefighter — a jaw-dropped look of betrayal — a Hawaiian shirt with clashing patterns, a lucky stone worn smooth clutched, at a family kitchen at breakfast chaos, in the watching the sunset from a favorite spot of winding down. soft rounded shapes with no sharp angles sleep-soft. quietly profound: safety. the fix-it-the-second-too-late that works after all: the goodnight that holds everything. soft studio lighting that flatters every angle low and golden, a cotton-candy sunset in peach and lavender the night outside. crumbs and laughter around a table of a story half-heard. BREAK a trail of small footprints the blanket edge; a hopscotch court fading on the driveway, a doorstep with a small bouquet withered the warm floor; a cricket under the porch, in good voice, a cat claiming an open book, a mouse peeking from a baseboard the guard on the nightstand. a playground empty and waiting the twilit window. BREAK a rainbow refraction in a puddle, light spilling from a cracked door the nightlight. a cup with a chip painted over in nail polish, a ticket stub in a frame, but the concert was a park, a receipt behind glass being the whole story, a map with a route that means the world, a drawer that sticks at exactly the right moment
exact prompt sent: imagine THE BEDTIME — a dragon who wants to be a firefighter — a jaw-dropped look of betrayal — a Hawaiian shirt with clashing patterns, a lucky stone worn smooth clutched, at a family kitchen at breakfast chaos, in the watching the sunset from a favorite spot of winding down. soft rounded shapes with no sharp angles sleep-soft. quietly profound: safety. the fix-it-the-second-too-late that works after all: the goodnight that holds everything. soft studio lighting that flatters every angle low and golden, a cotton-candy sunset in peach and lavender the night outside. crumbs and laughter around a table of a story half-heard. BREAK a trail of small footprints the blanket edge; a hopscotch court fading on the driveway, a doorstep with a small bouquet withered the warm floor; a cricket under the porch, in good voice, a cat claiming an open book, a mouse peeking from a baseboard the guard on the nightstand. a playground empty and waiting the twilit window. BREAK a rainbow refraction in a puddle, light spilling from a cracked door the nightlight. a cup with a chip painted over in nail polish, a ticket stub in a frame, but the concert was a park, a receipt behind glass being the whole story, a map with a route that means the world, a drawer that sticks at exactly the right moment