uptime 381h46m · built 2026-09-22T05:35:18Z · requests 68309
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: THE WISDOM — a stay-at-home dad building a shed bigger than the house — a sheepish grin after making a mistake — a chef's hat twice the size of their head, a burnt-out lightbulb full of tiny seashells held like a teaching tool, at a family kitchen at breakfast chaos, passing on conducting a one-person orchestra of kitchen sounds. huge expressive eyes that take up half the face kind. adventurous and exciting: the handover. the second act turn that hurts in the best way: the lesson that is love. the blue hour falling over a quiet street of an afternoon's length, a sky the color of a good secret of a mentorship. the happy squeak of a worn floorboard of "watch, then try". BREAK a pile of colorful toys in the foreground the small hands; a kitchen floor dusted with flour, a basketball rolling to a stop the transfer station; a butterfly landing on a nose, a caterpillar on a leaf edge, a mouse peeking from a baseboard the patient audience. a rocket ship parked in a driveway the legacy. BREAK the shimmer of a soap bubble, sun motes floating in warm air, dust catching a shaft of attic light the click of understanding. a drawer of takeout menus from places that closed, a shoelace used as a bookmark, a cup with a chip painted over in nail polish, a television remote in a place of honor
exact prompt sent: imagine THE WISDOM — a stay-at-home dad building a shed bigger than the house — a sheepish grin after making a mistake — a chef's hat twice the size of their head, a burnt-out lightbulb full of tiny seashells held like a teaching tool, at a family kitchen at breakfast chaos, passing on conducting a one-person orchestra of kitchen sounds. huge expressive eyes that take up half the face kind. adventurous and exciting: the handover. the second act turn that hurts in the best way: the lesson that is love. the blue hour falling over a quiet street of an afternoon's length, a sky the color of a good secret of a mentorship. the happy squeak of a worn floorboard of "watch, then try". BREAK a pile of colorful toys in the foreground the small hands; a kitchen floor dusted with flour, a basketball rolling to a stop the transfer station; a butterfly landing on a nose, a caterpillar on a leaf edge, a mouse peeking from a baseboard the patient audience. a rocket ship parked in a driveway the legacy. BREAK the shimmer of a soap bubble, sun motes floating in warm air, dust catching a shaft of attic light the click of understanding. a drawer of takeout menus from places that closed, a shoelace used as a bookmark, a cup with a chip painted over in nail polish, a television remote in a place of honor