uptime 382h41m · built 2026-09-22T05:35:18Z · requests 69120
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: the dance workshop learning a style outside her genre at a university hall lobby with marble floors and chandeliers: A member watching the encore from the wings with tears in her eyes in a fringed suede jacket over white boots for a festival set with a chin-length lob pushed behind one ear, She holds a high C while walking backward across the stage. — standing stiffly like a toy soldier, then breaking — the learning process real. a vertical wall of white beam lights strobing on the downbeat warm natural; a giant LED wall showing the group's logo in liquid metal the classroom or studio. a surprise cake arriving exactly one verse late when the lesson goes sideways; the lonely solo stage melting into belonging when the group joins the pride of getting it right. Palette monochrome silver with one red accent, mood giddy like backstage chaos after a win. Shot as a reflection shot in the floor mirror during practice — an over-the-drummer mid-stage view, a 35mm close-to-stage candor, razor-thin focus on the eyes, arena a blur, slow shutter with her sharp and the light sticks a swirl of bokeh; catching the exact count when the crowd chant starts.
exact prompt sent: imagine the dance workshop learning a style outside her genre at a university hall lobby with marble floors and chandeliers: A member watching the encore from the wings with tears in her eyes in a fringed suede jacket over white boots for a festival set with a chin-length lob pushed behind one ear, She holds a high C while walking backward across the stage. — standing stiffly like a toy soldier, then breaking — the learning process real. a vertical wall of white beam lights strobing on the downbeat warm natural; a giant LED wall showing the group's logo in liquid metal the classroom or studio. a surprise cake arriving exactly one verse late when the lesson goes sideways; the lonely solo stage melting into belonging when the group joins the pride of getting it right. Palette monochrome silver with one red accent, mood giddy like backstage chaos after a win. Shot as a reflection shot in the floor mirror during practice — an over-the-drummer mid-stage view, a 35mm close-to-stage candor, razor-thin focus on the eyes, arena a blur, slow shutter with her sharp and the light sticks a swirl of bokeh; catching the exact count when the crowd chant starts.