uptime 382h44m · built 2026-09-22T05:35:18Z · requests 69284
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: At a music show with its mirrored walls and camera rails during blue hour on the concourse before doors open, A star mid-laugh during a variety show reenactment segment hits the intro — She spins across the stage and catches her own wrist. and balancing on one leg like a flamingo, giggling in a safari jacket with cargo pockets and a utility belt with a velvet scrunchie, stadium-light pillars cutting through stage smoke rolling across a wall of blinders flashing on the drop. wind machines making everything dance over the stage wings crowded with staff and spare mic stands with a fancam tripod standing among the audience; the triumphant rush after a music show win, quietly proud after the final bow, a a hush, then a delayed scream for the visual member away from chaos. Palette high-contrast black and white with one red lip. Shot as a tight chest-up fancam framing that never leaves her face — a fisheye fun-lens for the behinds, razor-thin focus on the eyes, arena a blur, a crisp 120fps-style still despite the chaos around her with headroom tight, the mic cutting the lower frame; keyed edge light carving her silhouette out of the haze; a shoulder rig at crowd height, stage looming above, caught during the breath before the high note; graded cool ballad blues with a soft bloom on highlights. BREAK Detail: a glittery top hat, a fabric banner that unfurls on the final chorus, velvet absorbing the stage light, chiffon floating around her legs mid-spin and the jump's apex with legs tucked tight, the mic cable whipping in a circle; the pixel screen's blue glow backlighting the formation, a prism refraction splitting a spotlight into rainbows with white flakes reflecting the lasers mid-air; the eyebrows lifting slightly on the fan chant moment on the close-up.
exact prompt sent: imagine At a music show with its mirrored walls and camera rails during blue hour on the concourse before doors open, A star mid-laugh during a variety show reenactment segment hits the intro — She spins across the stage and catches her own wrist. and balancing on one leg like a flamingo, giggling in a safari jacket with cargo pockets and a utility belt with a velvet scrunchie, stadium-light pillars cutting through stage smoke rolling across a wall of blinders flashing on the drop. wind machines making everything dance over the stage wings crowded with staff and spare mic stands with a fancam tripod standing among the audience; the triumphant rush after a music show win, quietly proud after the final bow, a a hush, then a delayed scream for the visual member away from chaos. Palette high-contrast black and white with one red lip. Shot as a tight chest-up fancam framing that never leaves her face — a fisheye fun-lens for the behinds, razor-thin focus on the eyes, arena a blur, a crisp 120fps-style still despite the chaos around her with headroom tight, the mic cutting the lower frame; keyed edge light carving her silhouette out of the haze; a shoulder rig at crowd height, stage looming above, caught during the breath before the high note; graded cool ballad blues with a soft bloom on highlights. BREAK Detail: a glittery top hat, a fabric banner that unfurls on the final chorus, velvet absorbing the stage light, chiffon floating around her legs mid-spin and the jump's apex with legs tucked tight, the mic cable whipping in a circle; the pixel screen's blue glow backlighting the formation, a prism refraction splitting a spotlight into rainbows with white flakes reflecting the lasers mid-air; the eyebrows lifting slightly on the fan chant moment on the close-up.