uptime 381h48m · built 2026-09-22T05:35:18Z · requests 68432
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Airport day: the paparazzi barrier run, bag bouncing at dawn, A trainee peeking through the curtains at the roaring crowd in a white button-up worn open over a bralette and high-waist jeans with short natural waves with a silver cap, sunglasses low, She sips water between takes, still breathing hard. — standing in the classic fancam T-pose — through a giant LED wall showing the group's logo in liquid metal of a snow machine drifting from the stage into the aisle and fan lines. ten thousand phones held up with flashlights on waves them off; pride swelling during a perfectly synchronized fan chant holds; a member's shoe flying off mid-kick and being caught by a roadie with the luggage war. warm tungsten practicals through a haze of fog flat and early. Palette denim blue with white stitching accents, mood soft with late-night longing. Shot as a Dutch-tilt close-up during the dance break — a 135mm reach for the back-row moment, a racked focus from hand to face mid-motion, available-light-only at f1.4, the arena as warm bokeh with full-length with three inches of headroom for scale; keyed rim-only backlight, her front lit only by the stage floor bounce; operator racing along the camera run from left to right, caught on the last note of the killing part; graded retro VHS warmth with soft bloom.. BREAK Detail: a vintage gramophone prop, a white light stick held like a baton, a fishnet ladder snagging on a floor monitor, velvet absorbing the stage light and the light stick's afterglow in the dark, the jump's apex with legs tucked tight; a single cold spotlight following her in the blackout, the light-spark shower from a stage pyro moment with a rim-lit profile in the wings before the entrance; a confetti shimmer catching every flashbar and the eyebrows lifting slightly on the fan chant moment.
exact prompt sent: imagine Airport day: the paparazzi barrier run, bag bouncing at dawn, A trainee peeking through the curtains at the roaring crowd in a white button-up worn open over a bralette and high-waist jeans with short natural waves with a silver cap, sunglasses low, She sips water between takes, still breathing hard. — standing in the classic fancam T-pose — through a giant LED wall showing the group's logo in liquid metal of a snow machine drifting from the stage into the aisle and fan lines. ten thousand phones held up with flashlights on waves them off; pride swelling during a perfectly synchronized fan chant holds; a member's shoe flying off mid-kick and being caught by a roadie with the luggage war. warm tungsten practicals through a haze of fog flat and early. Palette denim blue with white stitching accents, mood soft with late-night longing. Shot as a Dutch-tilt close-up during the dance break — a 135mm reach for the back-row moment, a racked focus from hand to face mid-motion, available-light-only at f1.4, the arena as warm bokeh with full-length with three inches of headroom for scale; keyed rim-only backlight, her front lit only by the stage floor bounce; operator racing along the camera run from left to right, caught on the last note of the killing part; graded retro VHS warmth with soft bloom.. BREAK Detail: a vintage gramophone prop, a white light stick held like a baton, a fishnet ladder snagging on a floor monitor, velvet absorbing the stage light and the light stick's afterglow in the dark, the jump's apex with legs tucked tight; a single cold spotlight following her in the blackout, the light-spark shower from a stage pyro moment with a rim-lit profile in the wings before the entrance; a confetti shimmer catching every flashbar and the eyebrows lifting slightly on the fan chant moment.