uptime 382h41m · built 2026-09-22T05:35:18Z · requests 69118
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Golden hour at a vintage record store basement: A member practicing her signature wink in the dressing-room mirror She holds a high C while walking backward across the stage., crouched with fingers pointed like a gun in a belly chain over high-waist trousers and a crop top with a silk ribbon woven through a single braid; a softbox beauty setup for the fancam close-up spills through an outdoor lot with row after row of portable festival lights. bright EXIT signs and rigging silhouettes at the venue edges two staff members carrying a box of light sticks between carts; smoky with stage fog and golden dust, warm and intimate for the fan-song moment, euphoric and tearful after a win. stacked silver bangles and a glitter-under-eye liner that catches every light angle glowing. Palette pastel lavender, mint, and cream. Shot as a handheld bounce close to the choreography — a cinema zoom racking from wide to eyes, focus locked on the rhinestones of her jacket, second-curtain flash trailing her motion like a comet with center-weighted symmetrical framing for the group chant; keyed soft overhead key like an overhead ring, light even across the face; broadcast lock on center stage, tight and precise, caught the exact frame of her wink; graded hyper-clean flagship-camera color with true-to-life skin. BREAK Detail: a crystal microphone stand, sequins rolling across the surface as she moves, jersey clinging through the dance break and the light stick's afterglow in the dark, glitter peeling off in a tiny constellation; chase lights pulsing on the count, a halo rim around her silhouette in the fog with the rhinestones turning into a constellation and the distant gaze during the instrumental break.
exact prompt sent: imagine Golden hour at a vintage record store basement: A member practicing her signature wink in the dressing-room mirror She holds a high C while walking backward across the stage., crouched with fingers pointed like a gun in a belly chain over high-waist trousers and a crop top with a silk ribbon woven through a single braid; a softbox beauty setup for the fancam close-up spills through an outdoor lot with row after row of portable festival lights. bright EXIT signs and rigging silhouettes at the venue edges two staff members carrying a box of light sticks between carts; smoky with stage fog and golden dust, warm and intimate for the fan-song moment, euphoric and tearful after a win. stacked silver bangles and a glitter-under-eye liner that catches every light angle glowing. Palette pastel lavender, mint, and cream. Shot as a handheld bounce close to the choreography — a cinema zoom racking from wide to eyes, focus locked on the rhinestones of her jacket, second-curtain flash trailing her motion like a comet with center-weighted symmetrical framing for the group chant; keyed soft overhead key like an overhead ring, light even across the face; broadcast lock on center stage, tight and precise, caught the exact frame of her wink; graded hyper-clean flagship-camera color with true-to-life skin. BREAK Detail: a crystal microphone stand, sequins rolling across the surface as she moves, jersey clinging through the dance break and the light stick's afterglow in the dark, glitter peeling off in a tiny constellation; chase lights pulsing on the count, a halo rim around her silhouette in the fog with the rhinestones turning into a constellation and the distant gaze during the instrumental break.