uptime 382h40m · built 2026-09-22T05:35:18Z · requests 69111
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: At a dome arena mid-encore during midnight on a ferry deck after a shoot, The center member walking the runway line of a concert catwalk hits the intro — She spins across the stage and catches her own wrist. and lying back across a couch, head dangling off the armrest in a satin pajama-style set for a homey live room with tiny matching pearl pins across a slick-back style, a vertical wall of white beam lights strobing on the downbeat rolling across moving head banks doing a slow crossfade between colors. heatwave shimmer over the asphalt lot over the blurred sea of arms and light sticks stretching to the back wall with a fancam tripod standing among the audience; breathless in the sudden quiet of the ballad part, sharp and focused before the performance, a a festival-style clap that syncs the whole arena away from chaos. Palette monochrome silver with one red accent. Shot as a layered shot through the silhouette of a fan's light stick — a 135mm reach for the back-row moment, deep focus from the front rail to the back wall, available-light fancam, ISO pushed, gentle grain with diagonal lines from the LED wall pointing toward her face; keyed the camera's built-in flash as the only front light; a fan-level fancam from the third row, caught half a beat before the drop; graded retro VHS warmth with soft bloom. BREAK Detail: a confetti cannon they pretend to load, a handheld fan with a tassel, satin sliding over the floor shine, mesh panels revealing skin and shadow in equal measure and the skirt flaring frozen at peak spin, the hand-wave leaving a soft trail; a prism spray shattering off the sequins, a halo rim around her silhouette in the fog with a tiny burst of stage sparks on the beat; the jaw-drop at the crowd's roar on the close-up.
exact prompt sent: imagine At a dome arena mid-encore during midnight on a ferry deck after a shoot, The center member walking the runway line of a concert catwalk hits the intro — She spins across the stage and catches her own wrist. and lying back across a couch, head dangling off the armrest in a satin pajama-style set for a homey live room with tiny matching pearl pins across a slick-back style, a vertical wall of white beam lights strobing on the downbeat rolling across moving head banks doing a slow crossfade between colors. heatwave shimmer over the asphalt lot over the blurred sea of arms and light sticks stretching to the back wall with a fancam tripod standing among the audience; breathless in the sudden quiet of the ballad part, sharp and focused before the performance, a a festival-style clap that syncs the whole arena away from chaos. Palette monochrome silver with one red accent. Shot as a layered shot through the silhouette of a fan's light stick — a 135mm reach for the back-row moment, deep focus from the front rail to the back wall, available-light fancam, ISO pushed, gentle grain with diagonal lines from the LED wall pointing toward her face; keyed the camera's built-in flash as the only front light; a fan-level fancam from the third row, caught half a beat before the drop; graded retro VHS warmth with soft bloom. BREAK Detail: a confetti cannon they pretend to load, a handheld fan with a tassel, satin sliding over the floor shine, mesh panels revealing skin and shadow in equal measure and the skirt flaring frozen at peak spin, the hand-wave leaving a soft trail; a prism spray shattering off the sequins, a halo rim around her silhouette in the fog with a tiny burst of stage sparks on the beat; the jaw-drop at the crowd's roar on the close-up.