uptime 382h40m · built 2026-09-22T05:35:18Z · requests 69110
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Summer heat: the water-bomb front row, already soaked, A dancer sliding across the stage on his knees during a drop in a tennis dress with a visor for a sporty concept soaked, a half-up half-down style with a silk ribbon damp, She stares at her light stick like it owes her money. — standing stiffly like a toy soldier, then breaking — while a fan-chant message decoded mid-song in the screens screams. the 100M-views celebration video with confetti drives the set; the pyrotechnics firing one count too early with the water cannons; a farewell wave that turns into a promise under the sunset. a confetti cannon field mid-fire, gold flakes in the air and a banner reading 'we missed you' dropping over the rail, the arena falling silent for the ballad bridge, the chaotic backstage energy before doors open. Palette black, bleached gold, and deep violet, mood defiant against a wind machine. Shot as a full-stage wide shot with the crowd as texture — a cinema zoom racking from wide to eyes, the foreground blurring into a warm smear of lightsticks, second-curtain flash trailing the sequins like a comet tail with lead room opened toward the center of the stage; keyed three-light setup: key, rim, and a strobe pulsing on the drop; operator racing along the camera run from left to right, caught the exact frame of her wink; graded hyper-clean flagship-camera color with true-to-life skin.. BREAK Detail: a handheld fan with a tassel, a confetti cannon they pretend to load, chiffon caught mid-flare by the stage wind, denim fraying at the cut-off waist and the light stick's afterglow in the dark, the skirt flaring frozen at peak spin; shadow loops from the gobo wheels, a spotlight pool shrinking as she kneels with a a lone figure at the edge of the stage edge glow; dewdrops on her cheek lighting up like diamonds and the distant gaze during the instrumental break.
exact prompt sent: imagine Summer heat: the water-bomb front row, already soaked, A dancer sliding across the stage on his knees during a drop in a tennis dress with a visor for a sporty concept soaked, a half-up half-down style with a silk ribbon damp, She stares at her light stick like it owes her money. — standing stiffly like a toy soldier, then breaking — while a fan-chant message decoded mid-song in the screens screams. the 100M-views celebration video with confetti drives the set; the pyrotechnics firing one count too early with the water cannons; a farewell wave that turns into a promise under the sunset. a confetti cannon field mid-fire, gold flakes in the air and a banner reading 'we missed you' dropping over the rail, the arena falling silent for the ballad bridge, the chaotic backstage energy before doors open. Palette black, bleached gold, and deep violet, mood defiant against a wind machine. Shot as a full-stage wide shot with the crowd as texture — a cinema zoom racking from wide to eyes, the foreground blurring into a warm smear of lightsticks, second-curtain flash trailing the sequins like a comet tail with lead room opened toward the center of the stage; keyed three-light setup: key, rim, and a strobe pulsing on the drop; operator racing along the camera run from left to right, caught the exact frame of her wink; graded hyper-clean flagship-camera color with true-to-life skin.. BREAK Detail: a handheld fan with a tassel, a confetti cannon they pretend to load, chiffon caught mid-flare by the stage wind, denim fraying at the cut-off waist and the light stick's afterglow in the dark, the skirt flaring frozen at peak spin; shadow loops from the gobo wheels, a spotlight pool shrinking as she kneels with a a lone figure at the edge of the stage edge glow; dewdrops on her cheek lighting up like diamonds and the distant gaze during the instrumental break.