uptime 382h39m · built 2026-09-22T05:35:18Z · requests 69093
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Golden hour at a karaoke bar where the group celebrates a win: A vocalist holding a high note while confetti rains She falls back one step and catches herself with a laugh., sitting on a cube monitor with legs crossed in a sequin top with wide satin trousers with a silk ribbon woven through a single braid; golden hour spill from a giant practical window prop spills through a rooftop of a concert hall at midnight with the city burning below. the stage wings crowded with staff and spare mic stands a girl in the crowd holding a dozen posters above her head; charged as a light stick wave rolls through the crowd, bittersweet in the farewell ment, euphoric and tearful after a win. a layered pendant with a tiny star charm and a cat-eye wing paired with nude lips glowing. Palette sunset peach into electric blue. Shot as an over-the-shoulder shot from behind the member — a 35mm close-to-stage candor, a shallow focal plane on her face, the lights melting to bokeh, high-shutter freeze mid-air with the crowd blurred behind with full-length with three inches of headroom for scale; keyed the camera's built-in flash as the only front light; a shoulder rig at crowd height, stage looming above, caught half a beat before the drop; graded desaturated backstage documentary with grain. BREAK Detail: a white light stick held like a baton, velvet absorbing the warm key light, leather creasing at the shoulder as she leans and glitter peeling off in a tiny constellation, a heel striking the stage, dust puffs; shadow loops from the gobo wheels, a prism spray shattering off the sequins with glitter drifting off her hand as she waves and the wink timed to the drum fill.
exact prompt sent: imagine Golden hour at a karaoke bar where the group celebrates a win: A vocalist holding a high note while confetti rains She falls back one step and catches herself with a laugh., sitting on a cube monitor with legs crossed in a sequin top with wide satin trousers with a silk ribbon woven through a single braid; golden hour spill from a giant practical window prop spills through a rooftop of a concert hall at midnight with the city burning below. the stage wings crowded with staff and spare mic stands a girl in the crowd holding a dozen posters above her head; charged as a light stick wave rolls through the crowd, bittersweet in the farewell ment, euphoric and tearful after a win. a layered pendant with a tiny star charm and a cat-eye wing paired with nude lips glowing. Palette sunset peach into electric blue. Shot as an over-the-shoulder shot from behind the member — a 35mm close-to-stage candor, a shallow focal plane on her face, the lights melting to bokeh, high-shutter freeze mid-air with the crowd blurred behind with full-length with three inches of headroom for scale; keyed the camera's built-in flash as the only front light; a shoulder rig at crowd height, stage looming above, caught half a beat before the drop; graded desaturated backstage documentary with grain. BREAK Detail: a white light stick held like a baton, velvet absorbing the warm key light, leather creasing at the shoulder as she leans and glitter peeling off in a tiny constellation, a heel striking the stage, dust puffs; shadow loops from the gobo wheels, a prism spray shattering off the sequins with glitter drifting off her hand as she waves and the wink timed to the drum fill.