uptime 382h40m · built 2026-09-22T05:35:18Z · requests 69102
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Press showcase: A vocalist tuning her in-ears to the monitor mix, eyes shut at a van interior hurtling between broadcast studios, She points at a fan and winks on cue. while folding both arms with a shoulder shrug — a pastel knit twin set with pleated shorts, a slicked-back undercut with a soft top, stadium-light pillars cutting through stage smoke. a confetti cannon field mid-fire, gold flakes in the air full of an idol's name banner fluttering from the second-floor railing; wistful through the song's bridge, warming as the crowd sings along, the reverent hush during the ballad bridge, a rising the chorus chant louder than the track itself. cable trays snaking under their feet, a prism spray shattering off the sequins. Palette champagne sparkle on black velvet. Shot as a symmetrical center-framing with the group on risers — a 24mm ultra-wide for the stage scale, a deep focus shot revealing the whole stage behind her, backlight exposure silhouette with fill on the jaw with a low horizon line letting the lights tower behind; keyed three-light setup: key, rim, and a strobe pulsing on the drop; a drone rising over the encore, caught as the confetti crosses the key light; graded desaturated backstage documentary with grain. BREAK Detail: a confetti cannon they pretend to load, a white light stick held like a baton, tulle bouncing with every step, sequins catching light in a ripple wave and the hand-wave leaving a soft trail, sweat beads mid-air off the forehead; the crossover of two spot beams turning amber, a slow color shift from rose to ice blue with a cutout against the LED wall's light explosion; a confetti shimmer catching every flashbar and the playful side-eye at the camera during the dance.
exact prompt sent: imagine Press showcase: A vocalist tuning her in-ears to the monitor mix, eyes shut at a van interior hurtling between broadcast studios, She points at a fan and winks on cue. while folding both arms with a shoulder shrug — a pastel knit twin set with pleated shorts, a slicked-back undercut with a soft top, stadium-light pillars cutting through stage smoke. a confetti cannon field mid-fire, gold flakes in the air full of an idol's name banner fluttering from the second-floor railing; wistful through the song's bridge, warming as the crowd sings along, the reverent hush during the ballad bridge, a rising the chorus chant louder than the track itself. cable trays snaking under their feet, a prism spray shattering off the sequins. Palette champagne sparkle on black velvet. Shot as a symmetrical center-framing with the group on risers — a 24mm ultra-wide for the stage scale, a deep focus shot revealing the whole stage behind her, backlight exposure silhouette with fill on the jaw with a low horizon line letting the lights tower behind; keyed three-light setup: key, rim, and a strobe pulsing on the drop; a drone rising over the encore, caught as the confetti crosses the key light; graded desaturated backstage documentary with grain. BREAK Detail: a confetti cannon they pretend to load, a white light stick held like a baton, tulle bouncing with every step, sequins catching light in a ripple wave and the hand-wave leaving a soft trail, sweat beads mid-air off the forehead; the crossover of two spot beams turning amber, a slow color shift from rose to ice blue with a cutout against the LED wall's light explosion; a confetti shimmer catching every flashbar and the playful side-eye at the camera during the dance.