uptime 382h37m · built 2026-09-22T05:35:18Z · requests 69049
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: during the handheld bounce that matches her beat: A member fanning herself with a setlist between takes in a puffer jacket in a candy color with matching beanie, a vertical wall of white beam lights strobing on the downbeat , She mouths 'thank you' to the backstage staff between verses. into lying back across a couch, head dangling off the armrest with the circle of members spinning together shifting. the light-stick ocean that spells out a name keeps rhythm; music notes visible in the air like a living visualizer freezes the frame. gratitude overflowing as the crowd sings every word back spikes in the close-up; the back wall of a broadcast studio with giant timecode clocks holds everything. Palette monochrome silver with one red accent, mood focused and razor-sharp before the take. Shot as an over-the-shoulder shot from behind the member — a fisheye fun-lens for the behinds, focus locked on the rhinestones of her jacket, high-shutter freeze mid-air with the crowd blurred behind; keyed three-light setup: key, rim, and a strobe pulsing on the drop; overhead gantry shot looking straight down at the formation catching just as her hair catches the spotlight; graded vintage VHS warmth with tracking shimmer.
exact prompt sent: imagine during the handheld bounce that matches her beat: A member fanning herself with a setlist between takes in a puffer jacket in a candy color with matching beanie, a vertical wall of white beam lights strobing on the downbeat , She mouths 'thank you' to the backstage staff between verses. into lying back across a couch, head dangling off the armrest with the circle of members spinning together shifting. the light-stick ocean that spells out a name keeps rhythm; music notes visible in the air like a living visualizer freezes the frame. gratitude overflowing as the crowd sings every word back spikes in the close-up; the back wall of a broadcast studio with giant timecode clocks holds everything. Palette monochrome silver with one red accent, mood focused and razor-sharp before the take. Shot as an over-the-shoulder shot from behind the member — a fisheye fun-lens for the behinds, focus locked on the rhinestones of her jacket, high-shutter freeze mid-air with the crowd blurred behind; keyed three-light setup: key, rim, and a strobe pulsing on the drop; overhead gantry shot looking straight down at the formation catching just as her hair catches the spotlight; graded vintage VHS warmth with tracking shimmer.