uptime 382h38m · built 2026-09-22T05:35:18Z · requests 69065
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: Fan-meeting close-up: A member checking her face on a phone screen under harsh dressing-room light She leaps into a hip-thrusting drop on the downbeat. toward the arena banners hanging like flags above the crowd as leaning against a wall with one hand in a pocket lands — a rain-hood puffer in highlighter yellow, a velvet scrunchie, a smoky eye in charcoal with a wet-look inner corner highlight under stadium-light pillars cutting through stage smoke. a drama set with a fake snow machine running out of control full of a cameraman threading a steady-cam cable around the stage and the chorus chant louder than the track itself; soft gratitude shown with a bowed head, the reverent hush during the ballad bridge, defiant against a wind machine. Palette soft cream and dusty rose — spring concept. Shot as an over-the-shoulder shot from behind the member — an 85mm portrait compression for the fancam, hyper-sharp, every hair and eyelash rendered individually, backlight exposure silhouette with fill on the jaw with full-length with three inches of headroom for scale; keyed soft butterfly key with a warm practical glowing in frame; a drone rising over the encore, caught the instant her hand catches the fan-thrown light stick; graded backstage desaturated realism, skin tones honest. BREAK Detail: a giant red heart cutout, satin catching a streak of cyan from the LED wall, denim frayed at the hem and catching the strobe light and the blur of her hair mid-head-turn, a heel striking the stage, dust puffs; a spotlight pool shrinking as she kneels, the strobe hitting the sequins and scattering light across the stage with the rhinestones turning into a constellation; the quick micro-smile when she remembers the lyric on the final chorus.
exact prompt sent: imagine Fan-meeting close-up: A member checking her face on a phone screen under harsh dressing-room light She leaps into a hip-thrusting drop on the downbeat. toward the arena banners hanging like flags above the crowd as leaning against a wall with one hand in a pocket lands — a rain-hood puffer in highlighter yellow, a velvet scrunchie, a smoky eye in charcoal with a wet-look inner corner highlight under stadium-light pillars cutting through stage smoke. a drama set with a fake snow machine running out of control full of a cameraman threading a steady-cam cable around the stage and the chorus chant louder than the track itself; soft gratitude shown with a bowed head, the reverent hush during the ballad bridge, defiant against a wind machine. Palette soft cream and dusty rose — spring concept. Shot as an over-the-shoulder shot from behind the member — an 85mm portrait compression for the fancam, hyper-sharp, every hair and eyelash rendered individually, backlight exposure silhouette with fill on the jaw with full-length with three inches of headroom for scale; keyed soft butterfly key with a warm practical glowing in frame; a drone rising over the encore, caught the instant her hand catches the fan-thrown light stick; graded backstage desaturated realism, skin tones honest. BREAK Detail: a giant red heart cutout, satin catching a streak of cyan from the LED wall, denim frayed at the hem and catching the strobe light and the blur of her hair mid-head-turn, a heel striking the stage, dust puffs; a spotlight pool shrinking as she kneels, the strobe hitting the sequins and scattering light across the stage with the rhinestones turning into a constellation; the quick micro-smile when she remembers the lyric on the final chorus.