uptime 382h37m · built 2026-09-22T05:35:18Z · requests 69045
Quick run — for custom batches, add prompts on the Prompts page and Start. Story templates live in meta/story-templates.txt.
ACT II — THE CONTROL ROOM — (watching other people fight:1.3) (the same recurring cast, consistent faces, bodies and clothing across every image, identical character design:1.2) Featuring Sergeant Kade, armourer, forearms like winch cable, a welding mask pushed up on the forehead, drums of ammunition stacked behind; also Lieutenant Dana Sorren, frame pilot, a flight suit with three kill marks, hair cropped under a helmet, a photograph taped inside the cockpit; and at the back of the room, Corporal Bright, trainee pilot, too young for the suit, a helmet two sizes large, chewed fingernails on the control sticks. a gunner checking the turret travel by hand, in the darkened room with the map projected on the wall. No light but sodium lamps hazing the apron, and the room reads proud of a hard-won frame. (Dark room lit by monitors, backs of heads, one pilot's face). a 14mm with the screens wrapping the room; cockpit framing with instruments crowding the edges; graded ice blue, steel and orange lamp. Watching a screen that is not theirs: the one who thinks the war is already lost. Written down but never reported: a drink taken at an hour nobody saw. Across the headsets: a hand on a shoulder instead of a sentence. BREAK a boarding ladder rung huge at the edge; on the tiled floor, mud caked on frame feet, oil pooled in a drain trench; and going cold on a desk, fitters eating on a crate, a rat along the cable trays. Filling the far wall: the city skyline smoking. The turn: an order given twice and then withdrawn. BREAK a pilot who has not slept, a replacement pilot nobody has met, a rotation list with the same names on it. BREAK Reflected in the screens: light running along a rail, the polished brass of a worn instrument bezel, hot metal spitting sparks, chrome catching hangar light. (mecha control room, screens, cinematic:1.2) ice blue, steel and orange lamp. Avoid text, lettering, watermark, signature, extra fingers, deformed hands, extra limbs, blurry, low detail, jpeg artifacts, organic monsters, medieval weaponry, fantasy magic, hand-drawn linework. · queued — waiting for the driver
prompt: At a broadcasting tower rooftop at blue hour during blue hour on the concourse before doors open, A soloist in a glitter blazer at a year-end gayo stage hits the intro — She bows to the wings, then blows a kiss to the ceiling lights. and lying back across a couch, head dangling off the armrest in a trench coat over a slip dress for airport fashion with a gold hair cuff, a chase sequence of LEDs around the logo frame rolling across moving head banks doing a slow crossfade between colors. perfect clear night with stars visible between floodlights over a wall of signed light sticks on a fan support banner with the silhouette of a light-rig operator walking the catwalk above; electric with the last full-song encore, playfully cocky about the comeback, a the twinkling star chant during the bridge away from chaos. Palette denim blue with white stitching accents. Shot as a layered shot through the silhouette of a fan's light stick — an 85mm portrait compression for the fancam, focus locked on the rhinestones of her jacket, a crisp 120fps-style still despite the chaos around her with lead room opened toward the center of the stage; keyed key light on her face, a hair rim splitting her from the black; operator racing along the camera run from left to right, caught the instant the curtain opens and she's bathed in light; graded muted pastel dreamy grade, lifted shadows. BREAK Detail: a glittery top hat, a winged chair flanked by light rigs, mesh over skin catching a hot pink wash, a fishnet ladder snagging on a floor monitor and the jump's apex with legs tucked tight, a two-frame ghost of the foot stomp; the pixel screen's blue glow backlighting the formation, LED color wash shifting from magenta to cyan mid-verse with dewdrops on her cheek lighting up like diamonds; the wink timed to the drum fill on the close-up.
exact prompt sent: imagine At a broadcasting tower rooftop at blue hour during blue hour on the concourse before doors open, A soloist in a glitter blazer at a year-end gayo stage hits the intro — She bows to the wings, then blows a kiss to the ceiling lights. and lying back across a couch, head dangling off the armrest in a trench coat over a slip dress for airport fashion with a gold hair cuff, a chase sequence of LEDs around the logo frame rolling across moving head banks doing a slow crossfade between colors. perfect clear night with stars visible between floodlights over a wall of signed light sticks on a fan support banner with the silhouette of a light-rig operator walking the catwalk above; electric with the last full-song encore, playfully cocky about the comeback, a the twinkling star chant during the bridge away from chaos. Palette denim blue with white stitching accents. Shot as a layered shot through the silhouette of a fan's light stick — an 85mm portrait compression for the fancam, focus locked on the rhinestones of her jacket, a crisp 120fps-style still despite the chaos around her with lead room opened toward the center of the stage; keyed key light on her face, a hair rim splitting her from the black; operator racing along the camera run from left to right, caught the instant the curtain opens and she's bathed in light; graded muted pastel dreamy grade, lifted shadows. BREAK Detail: a glittery top hat, a winged chair flanked by light rigs, mesh over skin catching a hot pink wash, a fishnet ladder snagging on a floor monitor and the jump's apex with legs tucked tight, a two-frame ghost of the foot stomp; the pixel screen's blue glow backlighting the formation, LED color wash shifting from magenta to cyan mid-verse with dewdrops on her cheek lighting up like diamonds; the wink timed to the drum fill on the close-up.